• Jury

Tasnim Baghdadi is a Curator, Art Educator and Co-Director of the Migros Museum für Gegenwartskunst in Zurich, where she oversees its programmes, shapes institutional strategy, and drives public engagement. As a curator, she creates exhibitions and fosters artistic production at the intersection of contemporary art and societal change, developing public programmes and projects that encourage dialogue and exchange. From 2021 to 2023, she has led the museum’s education and programmes.

Previously, she worked as an art educator at Fondation Beyeler and Skulptur Projekte Münster 2017, among others. Baghdadi studied art history, curating, and design, and lives in Zurich and Fribourg.

Mitchell Anderson is an artist interested in the expressive potential of existing objects and images. Recent and upcoming solo exhibitions include Centre d’édition contemporaine, Geneva (2026); Stiftung Binz39, Zurich; Bernheim Gallery, London (both 2025) and Kunsthalle 8000, Wadenswil (2023).

He has organized over 60 exhibitions at Plymouth Rock, the Zurich-based experimental non-profit exhibition space he founded in 2014.

He is a frequent contributor of essays and criticism to a wide array of international arts publications, a founding co-curator of the Zurich Biennial and has lectured on studio practice at the Zurich University of the Arts since 2020.

Born in Spain, Chus Martínez is a curator, writer, and academic with a background in philosophy and art history. She is currently Head of the Institute Art Gender Nature at the Basel Academy of Art and Design FHNW in Switzerland and serves as Associate Curator at TBA21 (Thyssen-Bornemisza Art Contemporary) in Madrid and Venice. She also served this year as Artistic Director of the 36th Ljubljana Biennial of Graphic Arts, on view until October 12, 2025.

Martínez is a board member of CIMAM (International Committee for Museums and Collections of Modern Art) and sits on advisory boards of several international institutions, including Castello di Rivoli in Turin and the Deutsches Historisches Museum in Berlin. Her previous roles include Chief Curator at El Museo del Barrio, New York; Head of Department at dOCUMENTA (13); Chief Curator at MACBA, Barcelona; and Director of the Frankfurter Kunstverein.

Known for her critical and experimental curatorial practice, Martínez has developed numerous exhibitions and projects in collaboration with contemporary artists worldwide. She writes regularly for international journals and contributes essays and texts for exhibition catalogues and publications.

Jasmine Gregory explores the systems that define value and legitimacy — and what happens when those systems collapse. Working in painting and installation, the artist uses language, abstraction and unconventional display strategies to interrogate the social and aesthetic contracts that structure wealth, property, and taste.

Gregory’s early work focused on re-painting luxury advertising imagery to critique how value, desire, and status are manufactured through images. These paintings exposed the seductive fantasies of inheritance, legacy, and stability that consumer culture sells us. Over time, she shifted from depicting these fantasies to interrogating the underlying structures that make them possible-social contracts, legal agreements, and systems of property.

Solo exhibitions include Who Wants To Die For Glamour at MoMA PS1 (New York, 2024); Si je ne peux pas l’avoir, toi non plus at CAPC Musée d’Art Contemporain (Bordeaux, 2023); Heirlooms at Kings Leap (New York, 2022); A Little Newer, A Little Better, A Little Sooner Than Is Necessary at Sophie Tappeiner (Vienna, 2022); Mommie Dearest at Istituto Svizzero (Rome/Milan, 2021); and Audacity Unlimited at Soft Opening (London, 2025). Gregory was nominated for the Swiss Art Awards in 2023 and 2025. 

After first working at Hauser & Wirth in London and Freymond-Guth Fine Arts in Zurich, he initiated his first curatorial projects in 2011 in various locations before founding Hacienda Zurich in 2013, an exhibition space programmed by Weiss, artist Fabian Marti, and art historian Arthur Fink. During this time Hacienda Books, their publishing organ devoted to artist books accompanying their exhibition program, was founded, and has been run by Oskar Weiss since Hacienda’s closing in 2015.

Shortly after, Weiss opened his first permanent gallery space in Basel, focusing on a young, international program, surrounded by some of the world’s leading art institutions and the annual fair, Weiss, who decided to continue to live in Zurich, aims to mobilize these two cities with their individual characteristics and scenes to create new connections and dynamics.

Besides the ongoing publishing house, Weiss founded—in light of the first Corona-lockdown—Kino Süd: An online artist video exhibition platform. It published one video work by an artist each day for the entire duration of the first and second lockdowns in Switzerland. Since then, Kino Süd is used sporadically to screen videos related to Weiss Falk’s exhibition program.

Since February 2025, Galerie Oskar Weiss and Hacienda Books are both located at Sonneggstrasse in Zurich.